We Need To Talk About Marie Kondo

marie kondo

If you haven’t heard of Tidying Up With Marie Kondo then please get out of your cave and roam among the real people for a while. You’ll quickly find out that this lovely lady has made it her mission to help scours of people find meaning in their possessions and generally de-clutter.

I’ve never actually watched her show, but I know enough about it, and, as someone who frequents many book blogs, social media sites and generally doesn’t live in a cave, to know that many are outraged by one of Marie’s principals: that a person should only own 30 books at one time.

Many object to this because they love their books and cannot handle the idea that they should get rid of any of them. Some people also feel that it might limit reading, however, I think Marie’s got a point. Not a whole one, but at least the start of one.

After all, many people hoard a load of crap, and it’s great to de-clutter after all. As someone who was born after 1960 and without a trust fund, I rent a room in a shared house as opposed to a mansion with a library. As such I have to be careful of what I keep and what I get rid of.

Additionally, as someone who blogs for fun and reads regularly as a hobby, I happen to acquire a vast number of books; far vaster than the amount of space I have in my room, or indeed on my small bookshelf (it’s mine, not part of my landlord’s furniture: I love it because it spins). As such, I often have to make a run to the charity shop with some books once the piles get too high and the shelves start to heave under the strain.

This does not limit me in my reading: far from it, as I get to read books and then give them away for someone else to love. I keep a few books that will never leave me, such as my Sherlock Holmes compendium, my Agatha Christie short story books and my Complete Winnie The Pooh Collection, but the majority come and go on a regular basis.

Mostly the reason for this is I simply don’t re-read a lot of books. Often, when I want to come back to them I couldn’t find them in my piles before I started giving them away on a regular basis. If I want to re-read something I don’t have anymore then I go charity shop foraging- one of my favourite pastimes. I see no point in keeping endless books ‘just because’. I’d rather someone else got joy and knowledge from them than that they sat and collected dust at my place. Plus, they take up valuable space for books I haven’t read yet!

So, in the end I think it’s fair to say that Marie has a point; if you’re going to keep books, only keep the ones you truly love. I’m not saying limit your number to 30 specifically, or chuck your books out all at once, but don’t hoard too much stuff just because you can. After all, if you’re not even going to re-read it, what’s the point?

 

 

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Carol Wyer Interview: “My first novels were comedies encouraging people to enjoy life to the maximum”

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Another awesome interview for you as I speak to Carol Wyer about her dark comedy and crime fiction novels.

Tell me about how you came to define your writing style. What drew you towards crime fiction?

I started my writing career back in my thirties when I penned a series of educational books for children that taught French through cute, funny stories. They were highly illustrated and had titles such as Noir and Blanc -Two Naughty Cats. The books ended up being used in schools and were a stepping-stone to what happened later, when I decided I wanted to write for the adult market.

My first novels were comedies encouraging people to enjoy life to the maximum and laughing at the ageing process. My humorous non-fiction book, Grumpy Old Menopause was a chart-topping success and I found myself on radio shows in the UK and USA and New Zealand, writing articles for national magazines and on BBC Breakfast sitting on the red sofa discussing my writing with Susanna Reid and Bill Turnbull. The book went on to win The Peoples’ Book Prize Award. I was finally making a name for myself.

In 2016, Bookouture (part of the Hachette group) took on my madcap comedy called Life Swap and I was signed to write further comedies. It was about that time, I realised each book was becoming darker and the genre wasn’t suitable for my developing style. I wanted to add twists (which I’d managed to do brilliantly in Life Swap, but romantic comedy didn’t allow me to surprise the reader as I wished. I also yearned to write about human nature in more depth and although I love making people laugh or feel good about life and themselves, I also wanted to chill them and surprise them.

I sent in a pitch for a psychological thriller that had been bubbling about in my brain for a couple of years and my editor loved it. I wrote the book and no sooner had I submitted it than my editor suggested I write more. She saw potential not as a stand-alone but a crime series, and so the DI Robyn Carter series came to be. Little Girl Lost shot up the charts and earned me acclaim as a crime writer.

What is your background and how did you get into writing?

It’s too long a story to tell here but as an only child and a lonely one at that, reading was my escape. Following a second prolonged period in hospital where I underwent major spinal surgery in my twenties, I communicated with my friends and family through a series of lengthy letters that charted the daily crazy events in a hospital ward. Using stories that nurses recounted to me and my observational skills, I put a humorous slant on events. Everyone loved the letters and asked for more. After my recovery and while working in Casablanca as a teacher, I began writing stories for children – purely for fun. Writing became my release just as reading had been before that and I wanted to provide the same escapism, raise spirits through humour and basically entertain people.

What do you enjoy reading and how does this influence your writing?

My parents were both avid readers and we’d all troop down to the library on a Friday to select books for the coming week. While my father enjoyed light-hearted reads such as the Don Camillo series by Giovannino Guareschi or Dennis Wheatley novels, my mother would read absolutely everything and anything. If she enjoyed it, she’d insist I read it after her. So, one week I’d read The Agony and the Ecstasy by Irving Stone, about the Italian artist Michaelangelo, the next, an historical romance from Georgette Heyer novel or something very different like Ken Kesey’s One Flew Over the Cuckoo Nest

At the age of seventeen, I had a major health setback that saw me bedbound in hospital for several months followed by more months at home. I read and read and read. I think I probably read almost every book available our local library during that period along with a whole bunch of Mills and Boon books my friends brought along to keep me occupied.

My literary diet was varied to say the least but my penchant was always for thrillers and crime, especially Agatha Christie’s works. I couldn’t get enough of them.

I studied both English and French Literature at university and it was there I picked up a penchant for humour. Chaucer’s works amused me enormously as did Voltaire, especially Candide.

Once I completed my studies, I began to read contemporary, ‘lighter’ reads and that was when I got heavily into thrillers. I am a speed-reader so I’ll get through a book in a few hours, much to the chagrin of my husband who insists I read any book I receive as a gift more slowly.

I absolutely adore thrillers – the darker, the better. The complexity of the human mind fascinates me and although I only studied psychology as a first-year module at university I often wish I’d delved further. I suppose, in a way I do nowadays. I spend a lot of time researching murderers and reports on those who’ve committed heinous crimes. I try to give my readers the experience of being inside the mind of my fictitious killer in most of my books. I don’t want them to feel sorry for the murderer or applaud their actions but sometimes life and unfortunate circumstances can make people behave in dreadful ways and that’s what I try to exploit.

What advice would you give to an aspiring author to help them succeed in today’s publishing industry?

My husband gave me the best advice ever when I told him I wanted to be a writer. He said if I was serious and really wanted a career out of it, I’d have to work hard and never give up. He was right. I have worked – day and night, almost every single day for the last 10 years. I have written books while on holiday, stayed awake night after night to meet deadlines and taken every knockback, bad review or disappointment on the chin. Success doesn’t always come with the first book or even the second, or the third. You might have to plug away at it for a few years before you find a publisher willing to take you on but I think that’s fine. You are honing your craft all the while and building a presence online and gradually making a name for yourself. You are improving all the time. In brief my advice is: be patient, stay positive and never give up.

If you could collaborate with anyone, living or dead, on a writing project, who would it be and why?

This is so tough! I’d love to collaborate with Janet Evanovich. She inspired my early writing and when I sent her an email to tell her, she answered it. She also congratulated me on Twitter when Last Lullaby came out in December – I had a complete fangirl moment and ran about the house screeching. I’d also like to work with the queen of crime, Angie Marsons, who is a fellow Bookouture author. Not only is she an incredible writer but an absolutely hilarious person. She keeps all our spirts up when we are flagging as a team with her funny posts.

Have you got any exciting new plans or projects coming up that you’d like to discuss?

This year is a busy one. Not only do I have two romantic comedies coming out but three more crime novels all in the DI Natalie Ward series. The first of those will be released in April, so expect news about it soon. I’m working on Book 4 at the moment and it is a really exciting book to write. I keep holding my breath writing some of the scenes and have to remind myself to release it. I have one last DI Robyn Carter book to pen. My fans keep emailing or messaging to ask if The Chosen Ones is the last book. Book 6 is waiting to be written, so hang on folks- I’ll get there. I’m also considering a stand-alone thriller for next year but I have a mountain of work to do before I can work on that.

 Are there any new books or writers that you are looking forward to going forward?

I just let out the biggest groan. You’ve reminded me that my TBR pile is a veritable mountain of books and I am so behind with my reading I need a year off to catch up. I am desperate to read all of them. Really desperate. I have a backlog of Jeffery Deaver and Jo Nesbo novels, a large number of Scandinavian Noir books, Lars Kepler’s entire series to read and a Kindle stuffed full of Bookouture authors’ works. However, there are far too many great books that I definitely want to get my hands on: Alafair Burke’s The Wife, Belinda Bauer’s Snap and CJ Tudor’s The Chalk Man, Steve Cavanagh’s Th1rt3en: Aargh, too many, stop me!

Thanks for taking the time- its been a pleasure hearing from you!

 

The Top Five Crime Fiction/ Thriller Long Reads To Get You Through The Cold Weather

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With winter now firmly settled in and the nights much longer, readers are in their element as they snuggle up warm and dig in to a good book. However, constantly changing books can get tiresome, so it’s good to have a few long reads up your sleeve to keep you going.

Thrillers and crime fiction books are also a great shout in the cold weather, when the cold and dark really helps ramp up the tension you already feel reading them. With this in mind, I showcase five of my top long reads from the genres and explain why I think they’re a good choice for your winter reading. I’ve also picked a load of classics mixed in with some new novels so you’ll have plenty to choose from!

5. Lethal White: As you may know if you read my review, I find J.K. Rowling’s crime series a little bland, with a number of characterisation and plotting issues. Despite this, the latest outing for dour private detective Cormoran Strike is the best of the bunch, and, although it’s a little over-long, it’s a good read to devour during a long trip away.

4. Merlin At War: I am a huge fan of Martin Ellis’ cerebral detective, and as such I’d urge readers to check out the third in the series, Merlin At War. It might help if you’ve read the two previous novels but you’ll still enjoy this gripping police procedural even if you haven’t. The story focuses on Merlin’s quest to find his friend’s killer, whilst all the while working on the case of a murdered French abortionist which quickly links to a large financial institution. All three case coincide and Merlin struggles to work out both the connection and the culprits in this extraordinary novel which is guaranteed to keep you hooked.

3. The Little Drummer Girl: My latest spy novel obsession, John Le Carre’s thrilling tale of a young actress recruited by Mossad to infiltrate the inner circle of a terrorist with a long-held vendetta against Jews. As she becomes increasingly involved in the ‘Theatre Of The Real’ she discovers just how conflicting politics and morals can be. Having loved the BBC adaptation of the book I sought it out and devoured it over Christmas, and I would recommend it for long train journeys, as it is both long and intense enough to made the time fly.

2. Dracula: Bram Stoker’s dark and twisted tale of a vampire overlord who rapes, pillages and murders with impunity is a good size for those looking to some to really get their teeth into (excuse the pun). Written from the point of view of a guest at Dracula’s own home, it follows a quest to rid the world of this monster once and for all.

1. The Troubled Man: Henning Mankell’s Swedish Inspector Wallander takes his final outing in this exceptional novel, which is long enough to keep anyone busy. It’s also got an engaging plot centred around the disappearance of Wallander’s daughter’s father-in-law, a former Swedish Navel Officer who suddenly disappears not long after his lavish birthday party. As clues begin to surface which link back to the cold war, Wallander is drawn into a case with vast political ramifications.

New Year, New Yuck: Resolutions Are Bollocks, If You Must Make One Make It About Books

new year reading

New Year, same old nonsense. My social media feeds are now overflowing with friends and family making ‘resolutions’ they’ll forget in a fortnight. Losing weight’s a popular one, as well as getting a new job. Some are wholesome and lovely, like my friends who vow to take up a new hobby, or give their kids more attention, or listen to their loved ones more often.

Most, however, are downright attention seeking, and I cannot stand them. However, I was surprised that I haven’t noticed many book themed resolutions this year or, now I actually think about, ever.

One of my friends at work is doing one, which is what made me actively think about. She’s doing a book a week challenge, and although she’s so far a little behind, she’s doing all right on it. It’s a pretty cool idea really; she’d been buying a lot of books and not reading them, so decided that reading a book every week was a good way to finally get round to them and have some fun at the same time.

This sort of thing seems like a great idea, as reading is a pastime often forgotten in today’s technological era, where many are engrossed in TV, films and games. Personally, owing to my blog and the fact that I have so many books if I didn’t read them and then give them to the charity shop I would be overrun, already read around a book every week, but this is a great way to encourage others to read more.

Another great New Years Resolution idea that isn’t complete cobblers is to read more widely, which is my own personal resolution. Traditionally, as a crime fiction and thriller fan I usually end up reading books by cisgender, straight white guys. Whilst there’s nothing inherently wrong with that, widening your reading is great for broadening your horizons. I do read some postcolonial fiction as a hangover from my university days, when that was my favourite module, but that’s not enough, so this year, alongside my usual reads by my favourite authors, I will be branching out, both in terms of writers and their books themselves. I don’t read a lot of non-fiction, so it’ll be great to find some memoirs, biographies and discussion books to expand my knowledge.

Don’t worry though- The Dorset Book Detective will still be a crime fiction and thriller focused blog! I’m lucky enough to work with loads of great authors and publicists who are always helping me discover great new talent in the genre, and for my own personal reading I was lucky enough to receive Michelle Obama’s autobiography Becoming for Christmas, so that will keep me going alongside Sophie Mackintosh’s The Water Cure. 

So, if you’re still on the fence about making a New Years Resolution, why not make it book based? From a book a week, two weeks or month challenge through to broadening your horizons, reading everything by a particular author or revisiting old favourites, there are lots to choose from and they don’t involve buying expensive, funny smelling diet tea or going through gruelling exercise based challenges, which is always a bonus!

The Man With No Face Review: Getting 2019 Off To A Thrilling Start

the man with no face peter may

Last year Peter May published the intense and gripping I’ll Keep You Safe, so I was incredibly excited to check out his latest novel, The Man With No Face, due to be released on the 10th of January. I was expecting May’s typical strong characterisation, eventful plotlines and a spectacular finale to round it all off. I was not disappointed.

Less of a domestic drama than May’s previous book and far more of an international thriller, this latest novel travels the world, focusing on jaded Edinburgh journalist Neil Bannerman, who travels to Brussels in search of a scoop. During his stay two men are murdered, with a young girl being the only witness.

Desperate for answers and to protect the child, Bannerman begins a potentially fatal race against time to uncover the truth in a very tangled web of lies. Trying to both find out what happened and protect the girl, who is the sole witness to the tragedy that killed her father and changed her life. Autistic and vulnerable, her only method of communication is drawing, but she is unable to finish her portrait of the killers face due to her own fear and the dark, terrifying surroundings in which she saw it.

As Bannerman gets closer to the truth he has to combine protecting the girl with finding the culprits and bringing them to justice, but the work brings him nothing but trouble.

Set in the late 1970s, the novel evokes an era in turmoil, both politically and socially, and shows this through the tense narrative and tightly wound plot. May’s real skill is in characterisation and dialogue, and he shows this in The Man With No Face, with every character expertly crafted.

At the end of the day, May’s books are always dependable for their excellence of characterisation and deft plotting, and The Man With No Face is no exception. Any fans of May, or of gripping international thrillers in general, will enjoy this novel no end, and it makes a great read to get the New Year off to an excellent start.

 

 

Andrew Thompson Interview: “I’ve spent most of my life living inside my own head and writing has given me an outlet to create something that is entirely my own”

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For my first interview of 2019 (how exciting!) I spoke to Andrew Thompson, author of dark comedy Pettifyr on the Rocks.  

Tell me about your books. What drew you towards writing dark comedies?

Pettifyr on the Rocks is my first novel and (getting this out there up front) it is supposed to be a funny book. I never intended it to be a ‘serious’ thriller and it doesn’t take itself too seriously. The plotting here is so wafer-thin that you’ll get a paper cut from the Kindle edition…

That said, it is a warm-hearted little story from someone who has always had a deep love for the so-called ‘golden age’ of English crime thrillers (especially Agatha Christie and Margery Allingham) and the old black and white Sherlock Holmes and Charlie Chan movies that I adored sitting in front of on TV when I came home from school. I remember sitting in the dark watching the old Miss Marple movies with Margaret Rutherford and the Basil Rathbone Holmes films. I love all of those old movies, plus the James Bond and Humphrey Bogart films. Hitchcock too.

I wanted to write something that reminded me of those old books and films I loved as a kid, but with a twist and something of myself in it. Something that had the feel of a classic old paperback Leslie Charteris or something that you might pick up from a hotel bookshelf. I wanted it to be uncomplicated, funny and, perhaps most importantly, warm and engaging. Mainly I needed to get Jennifer out of my head. She’s been banging away at my frontal lobe for a long time and it is nice, finally, to have her out in the world and doing something quasi-useful. By ‘quasi-useful’ I obviously mean drinking too much, swearing like a docker with a bee-sting and basically blundering about.

If I had tried to write a ‘straight’ thriller it would be rubbish. I don’t have the brain for complex plotting or the interest in creating a world of pain and suffering for a psychological thriller. I’d rather try to create something that made someone laugh on the train and then tell their friends that ‘it’s utterly stupid, but quite funny’. If this book (and Jennifer) makes people smile then I will have achieved my goal.

What is your background and how did you get in to writing?

Most of the time I’m just a dull little office worker, staring out across an ocean of an open-plan room populated by banks of humans with computer screens. I’ve started writing, I think, as a bit of a reaction to that. Don’t get me wrong, large organisations are not inherently dull places because they are, at the end of the day, populated by people and people come in all shapes and sizes. It is easy to look around, though, and feel that your life is passing you by.

I’m also a musician and played in a band in the mid-noughties, so I’ve done a few different things and have moved around quite a lot geographically. The most honest answer is that I’ve spent most of my life living inside my own head and writing has given me an outlet to create something that is entirely my own but also stands entirely apart from me. The idea that you can create a world, and characters, that other people can enjoy when you are not there is extremely compelling. In short, I guess these books are about my need to create something. Jennifer has been knocking on the front door of my head, with increasing persistence, for a long time.

Please tell me about your books. What sets them apart from other similar novels?

Pettifyr on the Rocks is the first in a planned series centred around flame-haired, foul-mouthed investigator Jennifer Pettifyr, whose primary skill-set revolves around drinking, swearing, punching people and generally making a nuisance of herself. As to what sets my books apart from others- apart from the weak prose and poor plotting, obviously- that’s not really for me to say. Jennifer does pop to the toilet on a reasonably regular basis (my mother first pointed this out, so I deliberately put more pit-stops into the books now just to wind her up). Surely that’s a bit of a breakthrough in British crime fiction? Does it interrupt the narrative flow? I think it’s integral. The flow, you might say, is integral.

Jennifer herself is an investigator of the unexplained whose services are used occasionally by the Government as and when they have problems requiring a bit of unofficial nose poking. She is in her very late-twenties, does like a bit of a drink (who doesn’t?) and loves a good board game. The stories are set, very loosely, around the very late 1980s but are deliberately vague about this. I want them to feel quite timeless in terms of setting. She’s a strong girl, very sporty and well capable of looking after herself. She gets stuck in and gets stuff done. Despite some emotional frailties, I hope that Jennifer is a good role model for young women everywhere. That is what I wanted her to be, above all other things. Other than for her language, of course. Her language is bloody dreadful.

Tell me about the books you personally write. Where do you find your inspiration?

Jennifer Pettifyr, who is occupying all of my writing, is a horrible little hybrid of various different people. Her flame hair is pure Amanda Fitton. I loved those books. Her outlook on life, sadly for all of us, is closer to Romesh Ranganathan.

She drinks too much, swears too much, has a first-class honours degree in sarcasm and a heart as big as a pork pie on steroids. Her ability to veer off at random into chatting shit for Britain (and insisting on a ‘final wee’ despite only being five minutes from wherever she is going) is entirely my wife. She does this ALL the time. I’ve mentioned my love of old film noir, thrillers and potboilers already and those are a massive influence and inspiration for me, as are comedies such as Withnail & I, The League of Gentlemen and Blackadder.

On a more serious note, I am also drawn to the more romantic style of mystery fiction for its pure escapism. I do find it depressing that so many thrillers and masses of suspense fiction seems to revolve around physical and sexual violence towards women. The serial killer performing increasingly horrific acts in order to generate tension. There are dark scenes in my books but, fundamentally, that isn’t what I want to write about and others are far better at it than I could ever be. People suffer and die every day in real life. With a book, I can do something about it. I can stop it happening to someone. You can do anything at all in a book. I’d rather use my time to attempt to create someone who, although flawed, tries her very best to help people and always to do the right thing. That’s Jennifer. She may pop to the loo, but she’s definitely got your back. When she’s not in the loo. She’s like an awkward Simon Templar. That’s who she is.

As for Jennifer’s annoying sarcasm, that’s just me after a few G&Ts. A work colleague called me ‘sassy’ last week on a night out. I don’t know many 6’ 4” males who get branded as ‘sassy’. I was inordinately pleased. As for Jennifer’s swearing, just spend an hour in the Essex Arms in Brentwood and you’ll realise that, in fact, she hardly swears at all. Seriously, that pub is an education in the use of the four-letter word. Also, they show the footie and the train times. Great off-licence across the road too (big shout out to Elaine here).

If you could collaborate with anyone, living or dead, on a writing project, who would it be and why?

I’d love to buy Adam Diment a drink and thank him for the Philip McAlpine books. If I could ever write anything even 10% as perfect as those I’d die a happy man. As for collaborating, I’ll just sit back in an armchair with a nice glass of red and let him crack on. He wouldn’t need my help. I took The Dolly Dolly Spy on holiday for six summers on the bounce. Just re-read it over and over. It never got old. The pages fell out eventually; I read that book so much. At the end, only the suntan lotion was holding it together. 

Do you have any projects coming up that you are particularly excited about?

I’m working on the second Jennifer Pettifyr book right now and it’s entertaining me immensely. The idea for it came to me from watching an old episode of The Avengers and it gave me the perfect idea for getting into Jennifer’s family and a bit more of what makes her tick (which is hinted at in the first book but not really explored at all). I’m very excited about it, as it is shaping up to be (a) much funnier than the first one and (b) almost competently written. Almost. If you scrunch up your eyes and squint at it.

Are there any new books or writers that you are looking forward to coming up?

I’m quite dreadful for the lack of diversity in my reading habits! The trouble with having a full-time job (other than people giving you stuff to do… I mean, what’s that all about?) is that I don’t have a lot of reading time. To be honest, I generally end up reading a mixture of big-name authors (if they aren’t up their own backsides) plus anything random, unusual or interesting, which could be anything really. I read a lot of old thrillers when I can (my guilty pleasure is old second/third/however many-hand paperbacks from authors I’ve never heard of). I really loved the Glass Books trilogy. I loved Magpie Murders (Anthony Horowitz). The problem is, when I read other books it reminds me that, well, I’m just not up to the job…

Is there anything you’d like to add?

Pettifyr on the Rocks is available for pre-order on Amazon Kindle now. Link through the website www.pettifyr.biz. Paperback option through Amazon to follow shortly.

Also, and this is very important, thank you so much for asking me! If you want me to expand on or clarify anything please just let me know.

Thank you for your time, I’ve thoroughly enjoyed hearing your thoughts and learning more about your writing!