Styled to mirror the writing of classic Golden Age authors, I was intrigued to check out A Checkered Past. Book four of the Emmeline Kirby, which I recently discovered after encountering the author on Facebook, is a scintillating tale of theft, murder and general mayhem.
Protagonist Emmeline Kirby is back in London determined to make a success of her new job as editorial director of investigative features at The Clarion. Three months have passed since the events of the previous book, in which she took a trip to Torquay, which led to devastating revelations that surfaced about her fiancé Gregory Longdon. A dashing jewel thief, he is determined win back her affections with the help of Emmeline’s best friend and Grandmother.
Meanwhile, as Gregory battles to prove his worth, Emmeline stubbornly pursues a story about looted Nazi art and an IRA collaborator. When a stolen Constable painting belonging to her best friend Maggie’s family turns up in the collection of Max Sanborn, the chairman of the company that owns The Clarion, her personal crusade brings danger close to home.
Battling these conflicts, Emmeline colludes with Gregory to uncover the truth from a knotted tangle of lies, deceits and shadowy dealings. With strong characterization of all of the central characters, and a number of the minor ones, writer Daniella Bernett has enhanced a series which, although I’ve not encountered it myself before, has the potential to gain a strong following in the future.
There’s a particularly good balance in the novel between Emmeline’s personal life and her investigation of the case. The two are entwined from the beginning, and yet the author does not allow this to overwhelm or become too soap opera-y, which is always a good sign. I’m not a fan of crime fiction that ventures too far into the detective’s personal life without a reasonable motive, and whilst there was the potential here for Bernett to go too far and make this more of a romance, she manages to just keep it the right side of syrupy.
My only issue with the book is some of the writing style. For example, the opening does not draw the reader in the way it should, with many of the sentences starting with the same words, and paragraphs, which are traditionally used to break up passages, used haphazardly- a phenomenon which continues throughout the book. As a result, the novel does not flow as well as it should, and it does take a while to really get engaged with the story, but despite this there’s a lot to like in this Golden Age style novel.
In all, I’d say this is a pretty good novel that has not been stunningly crafted, but has the potential to go far. Whilst I personally won’t be going out of my way to read the rest of the series, there is something intriguing about Bernett’s protagonist that keeps bringing me back to thinking of other strong, female detectives modeled on the Golden Age style. And that can only be a good thing.