Crime writer Martin Ungless explains his work and how he has created a unique novel in his book Duck Egg Blues.
Tell me about how you came to define your writing style. What drew you towards crime fiction?
I like a nice plot, me. Crime is such a great vehicle for driving forward a story and putting characters in tricky situations, it’s got the potential to be page turning and fantastically entertaining, and in my case, so I’m told, laugh-out-loud.
I’ve always written, but had a brief interlude, a decade or so, as an architect. That’s a great education for a writer; disciplined creativity and learning to critique ones own work. It was also in my case an exercise in narrative and on producing something that pleased the public, and these days of course that’s the reader.
What is your background in writing and how did you get in to writing?
Perhaps I’ve already half-answered that, but I do think when I designed buildings that the stories they told were important. At that same time, I was continuing to hone my practical writing skills with articles in the architectural press. I do feel that writing is another outlet for the pleasure of creation, just with a different brief, and requiring a whole other set of skills. I have written a fair few short stories, and as well as refining technique these can also be usefully entered in competitions, even a long-listing can keep a writer going through the long dark self-doubt times, and sometimes you even get to win!
Tell me all about your books. Why do you believe readers and critics enjoy them?
I think readers enjoy genre fiction because we all like more of the same but different. Sometimes for me that difference comes in blending the genres themselves. I write fiction that surprises, always, regardless of whether I am genre-blending or not, and I can pretty well guarantee that you will not have read anything like one of my stories before; though (more of the same but different) my books are full of crime and detection and peril and complications and characters who suffer and win through. It’s not that my stories are so far out there, I just have a vivid imagination. Not a bad trait for a writer, I guess.
What books do you like to read and how do they impact on your own writing?
I’ve got pretty eclectic tastes. Right now I’m working my way through a whole history of C20th classic Crime, reading and rereading, trying to understand what works so well for them. I don’t know if your readers have come across They Shoot Horse Don’t They? I read that quite recently and it’s a cracker, that and the astonishing The Postman Always Rings Twice. Both feel like they were at least half a century before their time. I utterly love the energy of something like Fight Club, and the exceptional dialogue of Elmore Leonard. Outside of Crime, I’m a huge fan of Murakami.
Is there anything else that influences your writing (places, people, films etc)?
I’ve got wide interests hence the multiple-genres, but in particular I’m a fan of technology, and this passion gave rise to PArdew, my robot-butler-detective from Duck Egg Blues, and is also the reason why I’m currently working on a high-tech hacker thriller.
If you could collaborate with anyone, living or dead, who would it be and why?
I think I mentioned him already, but I do think Elmore Leonard had an utterly extraordinary ear for dialogue. I think it was based on his deep understanding of character, and if they could rub off on me, boy would those be some nice skills to learn. Sadly he has passed away.
What’s next for your writing? Have you got any exciting plans to develop it that you can share with us?
My high-tech international crime thriller is called Orange612. The opening section was listed for a Debut Dagger by the Crime Writers’ Association this year, so I’m pretty buzzed to be working on that.
Are there any new books or writers that you are looking forward to coming up?
I haven’t read Melmoth yet, that looks a cracker and The 7 Deaths of Evelyn Hardcastle, well, you just know that’s something else!
Anything you’d like to add?
Thank you for inviting me to talk about my work, I think it might be almost as fun as writing it.
Thanks you for taking the time to answer my questions, it’s been great to hear your thoughts.