For anyone looking for a good book to read while they laze on the beach and enjoy the heat wave, Dead in the Water is a great thriller to keep you entertained. I interviewed Author Simon Bower to learn more about the novel and how he drew on his own experiences of international travel to write it.
Tell me about how you came to define your writing style. What drew you towards crime fiction and thriller writing?
As long as I can remember, I have adored a good crime thriller. While I can appreciate some literary fiction, my personality dictates that I prefer fast-paced heart thumping suspense and mystery to beautifully crafted clauses! When I wrote Dead in the Water, I spent considerable time defining the writing style. Specifically, my first decision was to couch each chapter in the viewpoint of one of the characters. This provides a limited viewpoint that also allows a scenario to be explored from two different points of view, and at times with humour (an early example of this in the book is when Charlie and Ana see their relationship from very different points of view). I also decided to write Charlie’s chapters in the first person – it really immerses the reader in his psychological character. Finally, the vantage point of parts 1 and 2 of the Dead in the Water, is at the end of part 2, so part 3 transcends naturally into a present tense suspense. This real-time style can be liberating for the writer and the reader, since anything at all can happen. So I was attracted towards the writing style that I love and I wrote the book that I wanted to read.
What is your background and how did you get in to writing professionally?
I have always enjoyed writing and wrote a number of pieces for personal exploration during the past twenty years that I have spent living away from the UK. Undoubtedly, these projects guided the maturity of my work and allowed me to structure Dead in the Water from the outset. In terms of profession, I have lent myself to a whole array of jobs and industries in quite a few different continents – some of my most influential jobs have been when working in the communications field. Despite my keen interest I writing, time has always been in short supply. So the catalyst to put into words my plot for this book was the opportunity that presented itself a few years ago to concentrate on writing full time.
Where do you find your inspiration? Are there any particular places or incidents you draw on when you find yourself with writer’s block?
In order to have characters with sufficient depth, emotions, speech style and motive, I base my characters on exaggerations of real people that I know. I might not know them well, but it helps to ensure consistency of thought and the liveliness of reality. The crime elements come from a release of constraints, thinking like a kid who has not yet understood the moral lines and laws accepted in our society. What could you get away with if moral boundaries were removed and you didn’t care about the risk of a life in prison?
Dead in the Water is one of a new wave of hybrid genres. It’s a thriller, but before that it’s realistic and a mystery too. Three books in one. The one constant throughout my work is a very strong sense of place. I draw inspiration from locations I know intimately, taking the reader to parts of France, to Amsterdam, New York, London and Oxford, to name a few. When I wrote the manuscript, it was not one contiguous drafting journey – I dipped and delved into different parts of the book, and this meant if I ever met a wall, a way around it soon appeared by working on another point in the story, then going back to it.
If you could collaborate with anyone, living or dead, on a writing project, who would it be and why?
Writing the first draft for Dead in the Water was a solitary endeavour. However, developing it with my editor, Kate Taylor, was a productive collaboration. Suddenly I could share the responsibility and she was terrific at editing out superfluous details. However, I have not really considered collaborating to write a book, like Clive Cussler and James Patterson tend to do. Although I love the idea of working with Iain Banks, who has sadly left us, it would probably be most fruitful to work with someone who could bring a truly different perspective to the table – a CIA agent, or a convicted killer.
Do you have any projects coming up that you are particularly excited about?
I’ve begun planning a sequel to Dead in the Water. It certainly won’t be simply an extension of the first, but so many people are craving to know what happens next. I won’t say too much, to avoid spoilers, but it would also be set globally, have some of the same characters and occur after the end of the first book.
Other than that, I have a keen interest to work on a book that is more speculative in nature. I enjoyed Matt Haig’s The Humans in part owing to its completely normal setting, but with an utterly abstract twist.
Are there any new books or writers that you are looking forward to coming up?
I’ve mentioned a few writers, but the one that keeps getting away is Terry Hayes. I enjoyed his debut novel I am Pilgrim, despite some reservations of stereotyping, and very much look forward to his belated next release The Year of the Locust. I also like to check out new writers and I have a few of those to try out. One example is Strangers on a Bridge, by Louise Mangos – the plot sounds intriguing.
Is there anything you’d like to add?
My book has been released by a UK indie publisher, Middle Farm Press, and the odds are stacked against ‘David’ when ‘Goliath’ and all the collaborators hold all the cards. Dead in the Water is stocked in some bookshops but for now, our distribution is limited mainly to the biggest online consumer direct suppliers. We are working on improving this, but need to demonstrate demand, so we are most appreciative for the support we get for either the eBook or paperback. Finally a hearty thanks to Hannah for conducting this interview and I hope you enjoy Dead in the Water!
Thanks for answering my questions Simon, it has been awesome to hear your thoughts.