Having already reviewed and enjoyed two of Guy Fraser-Sampson’s Hampstead Murders novels, Miss Christie Regrets and A Whiff of Cyanide, I had high hopes for A Death in the Night, the latest Golden Age style modern crime novel in this intriguing series.
Beginning at a dinner dance set in a fictionalised women’s club that Dorothy L Sayers used to frequent, the novel quickly catapults the reader into a fiendish mystery, as a guest is found dead in her room. Shortly afterwards, it is discovered that she has been wrongly identified and her death incorrectly diagnosed as being from natural causes, giving the detectives, two of whom were at the dance on the night of the murder, an incredibly tough case to crack.
Despite the devastation caused by the revelations of the previous novel, the team remains solid and continues to investigate with the usual flare. Bob Metcalfe remains stoic as ever, Karen Willis as confident and capable and as for the flamboyant and Golden Age obsessed Peter Collins, he is still the most hilarious and riveting character I have read over the past two years.
With physical evidence almost entirely destroyed and suspects aplenty thanks to the evening’s revelry, the team employ a combination of modern technology and old fashioned detection to uncover the culprit.
What I love about these books is how Fraser- Sampson effortlessly combines modern police techniques with antiquated language and characterisation that would not be out of place in a Lord Peter Wimsey or Poirot novel. Everyone has an archaic sort of job, such as the Doctor with her private practice inherited from her father. Despite this, readers are never in any doubt that the novels are set in the present day, and this makes for a fascinating education in how to combine styles when writing Crime Fiction.
In all, A Death in the Night is a riveting novel with enough classic detective novel techniques and references to keep readers on their toes.